Kodak Pixpro SP360 4K review

PROS

Good 4K video quality
Versatile multi-camera shooting options
Good array of included accessories

CONS

Dual-camera shooting is fiddly
Difficult to stitch footage
Cameras aren’t ruggedised

KEY FEATURES

360-degree field of view
12.76-megapixels 1/2.33in BSI CMOS
Up to 3,840 x 2,160, 30fps video
F/2.8 aperture lens
Electronic image stabilisation
Wi-Fi and Bluetooth connectivity
Manufacturer: Kodak
Review Price: £749.00

WHAT IS THE KODAK PIXPRO SP360 4K?

The Kodak Pixpro SP360 4K is an update to Pixpro SP360 360-degree camera. The new version bumps the maximum resolution to 4K and adds some extra coverage across the vertical axis – it only has 360-degree coverage across the horizontal – allowing you to capture more immersive experiences.

That’s when using just a single Pixpro SP360 4K (£339), however. If you want to capture a fully-spherical 360-degree view of the world, there’s also a Dual Pro Pack (£749) option, which is the model I was sent to review. This gives you two SP360 4K cameras you can mount back to back with included accessories, providing a front and back view of the world that you can then stitch together.

The system works well and footage is very good for a 360-degree camera, but the SP360 4K Dual Pro Pack system is cumbersome to use and the accompanying software is limited. As a result, the whole system requires some patience to get an acceptable result and makes the Kodak hard to wholeheartedly recommend.

KODAK PIXPRO SP360 4K – DESIGN AND SETUP

The SP360 4K camera is distinctly boxy, with sharp edges and corners to its plastic construction. As individual SP360 4K can be used with the bulbous lens pointed upwards, so the box-shaped camera body forms a base for it to sit on and you get 360-degree footage horizontally. Some of the vertical perspective is lost towards the bottom, so keep that in mind when framing. You can think of the perspective as bit like an extreme panorama.

You can also face the camera forward and change it to a ‘flat’ perspective where it operates more like a conventional camera.

Controls for the shutter and settings adjustments are located on one side, with a small LCD display on another side that you can use to navigate through the system menu. Another side hides the Micro USB, Micro HDMI ports and microSD card slot behind a rubber flap.

While the SP360 4K is definitely not an action camera, it is splashproof, so a little bit of rain should be fine. The body isn’t ruggedised, however, so I suspect its plastic construction will not do well with a fast-tracked meeting with the ground, even if it is rated shock-proof to two metres. The lens comes with a plastic lens cover to give it some protection, as well as a lens cap.

Things get more interesting when two cameras are used for fully-spherical footage. For this, Kodak includes a dual-camera plastic frame mount. You screw each camera in but doing this is more fiddly than I would like because you need to find a suitable tool like a coin, rather than simply having thumb screws.

Once mounted the frame obstructs access to the ports, which means you’ll have to unmount the cameras if you want to access the microSD cards or charge them, which can be annoying especially at the end of a shoot.

The bottom of the dual-camera frame has a mounting point that resembles, at first glance, a GoPro’s. However, it’s actually slightly different due to the threaded lug nut section being on a separate part. Some of my GoPro mounts worked okay, but others wouldn’t secure themselves adequately.

In any case, with the Dual Pro Pack option you get a telescopic selfie stick as well as a suction cup mount. Another mounting frame designed for one camera is also included in the pack. Other accessories include a wrist strap remote you can use to control up to five cameras simultaneously, and a small clip if you want to attach the remote directly to the selfie stick.

The remote control uses watch batteries and mine managed to die during the course of testing. I’m not sure if I left it on but I certainly didn’t use it that often. The most annoying thing is removing the rear battery cover, which requires a coin or something similar. I managed to strip the sides of the plastic, so now it’s incredibly difficult to remove (sorry, Kodak PR). More sturdy plastic would have been welcome.

KODAK PIXPRO SP360 4K – CONTROLS, APP AND DESKTOP SOFTWARE

The previously mentioned side controls can be used to change settings. There’s all manner of settings that can be changed in-camera, from resolution, to perspective, to white balance, to turning the image stabilisation on or off. The only problem is that these are all represented by monochrome icons on the LCD screen, and they’re all tucked deep inside nested menus.

The instruction documentation ends up looking like a tube map but you’ll probably need to consult it to work out what setting changes what. It’s more complex than it needs to be. You’ll need to change settings especially if you’re using a dual camera setup for spherical video, too.

This is because for the best results you’ll need to disable the electrical image stabilisation on each camera, set it to 1:1 aspect ratio mode and ensure they’re both set to a manual white balance. The latter wasn’t even mentioned in the documentation. I just learned this through trial and error, and footage that didn’t quite match up due to different lighting conditions from the front and rear cameras, resulting in different automatic white balance adjustments. It’s this sort of finickiness you generally avoid with dual-camera 360 cameras that just come as one device.

You can at least use Kodak’s Pixpro smartphone app as a remote control instead. This lets you change the settings on each camera, but there’s a big caveat. It only works with one camera at a time. So if you’re using a dual camera setup, the app’s live view only gives you half the picture and you’ll need to connect to each camera separately to change its settings. Again, probably not an issue if you’re not effectively using two separate cameras rubber-banded together.

Once you’ve got your footage, you then need to stitch it together using Kodak’s free PC or Mac software. Again, you can’t use an app to do this. So you now have to manage two separate memory cards and to manually match up the two pieces of footage you want to stitch together. Both memory cards might not have identical content if you’ve been using them separately, so hopefully you set the correct time and date on each camera, which will make life much easier.

The software is bare bones, too. You select the two pieces of footage from the two sources – it helps to have two card readers to save time and transferring – and the software tells you if they’re suitable for stitching. You can then hit an audio sync button to help sync the two videos together, so a starter clap can really help here.

Annoyingly, the stitching isn’t perfect straight away. You’ll have to adjust individual settings such as pan, tilt or roll, to try and get things lined up. Even then, any objects close to the camera will overlap slightly and it’s a slow, tedious process. Even when you select a moment in the footage and get everything lined up as perfectly as possible, when you watch it back you’ll still find other parts of the video are askew if the camera is moving.

There’s no stitching issue when shooting with just the one camera but you lose a large area of the lower frame. Single camera footage is captured at up to 3,840 x 2,160 and 30 fps when shooting in flat mode. In round mode you’re limited to 2,880 x 2,880 resolution and 30 fps.

After you’re done stitching or editing, you can have the software output the video as an .MP4 file and, happily, YouTube and Facebook will recognise these as VR-friendly videos without any user input such as messing around with meta data. Once they’re uploaded, you can pan around or jump into the VR experience to playback the video in your headset of choice.

KODAK PIXPRO SP360 4K – VIDEO AND SOUND QUALITY

Aside from the imperfect stitching, the actual video produced by the Pixpro SP360 4K was some of the best I’ve seen from a 360-degree camera in terms of image fidelity. Video is as crisp and detailed as you would expect.

On the default setting, colours are a tad muted, but you do have the option for more vibrant colour options in the camera settings. Again, make sure you change the setting on both cameras if shooting spherical video.

Exposure is generally well maintained with detail retained in the shadows. Some highlight details is lost in the sky, such as with clouds, but nothing out of the ordinary. One issue you’ll need to be aware of – which you can see from the front-facing camera in the test footage above – is that the protective lens covers pick up fingerprints and smudges very easily. You’ll need to remember to give them a wipe down before you start shooting otherwise these can be seen in the final footage.

You’ll need to turn off electronic image stabilisation when shooting spherical video, but camera shake and judder still wasn’t a major issue with footage shot using the telescopic selfie stick accessory. Still, the stitching is much better on stationary footage, such as when using the suction cup mount.

When you stitch the footage together from two cameras, you’ll need to pick one of the cameras as the audio source. Sound quality is pretty good with sensitive microphones that capture sound from all directions and gives the footage a sense of atmosphere.

KODAK PIXPRO SP360 4K – BATTERY LIFE AND CHARGING

You can expect just short of an hour of 4K video shooting from each camera. You can either charge the battery in-camera through micro USB or remove the battery and charge it in the included cradle.

SHOULD I BUY THE KODAK PIXPRO SP360 4K?

As the Pixpro SP360 4K Dual Pro Pack is two separate cameras, its strength lies in its versatility in multi-camera shoots compared to 360-degree camera systems that integrate dual-cameras into a single unit. Each camera is still rather fiddly to use, but with a little time and experimentation you can get good results. Image quality from each camera is also very good.

If, however, you’re looking to shoot predominantly spherical video using two cameras mounted back-to-back, the whole process is incredibly fiddly. Just mounting and unmounting the cameras constantly becomes frustrating, especially as all of the ports are obscured when the cameras are plugged in. You’ll need to detach the cameras from the dual frame just to charge the cameras and to access the memory cards at the end of a shoot and then the editing process becomes tedious.

At £750, the Dual Pro Pack is a hefty investment, but even £339 for a single camera is pricey. Especially in light of some new competition from the likes of the Nikon KeyMission 360, which integrates a 4K dual-camera array into a much smaller, waterproof and ruggedised body.

VERDICT

The Kodak Pixpro SP360 4K is capable of capturing good-looking 360-degree video but is hindered by fiddly camera management and disappointing video stitching.